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Coach Flip Naumburg's Journal
Thursday, February 9, 2006
I'LL TAKE DARRYL LAMONICA FOR $200, ALEX
I have used two names this season for metaphorical impact that have never been in my coaching
tool kit before. In fact I doubt if they are names I have said out loud more than
a handful of times….ever. There is surely no inherent meaning to this, only
my own simple reflective amusement, as in, "What the hell was I thinking about?".
So one day early this season one of our senior leaders attempted to force a clearing pass
to a teammate that might have looked heroic had it been successful. It failed, as
I knew it would while I watched the momentary disaster unfold. To me the whole concept
was a mess. The pass should not have been thrown and I wanted him to know it.
Always looking for the psychological edge I sauntered over and by him immediately after
the moment was over and I said something to the effect that I didn't want his testosterone
to ever hurt our team, and something about don't try and be Bart Starr. WHAT?
WHO? Did I say Bart Starr? No big deal, except that he hasn't been famous since before
most of these kids' parents were kids. Their PARENTS had never even likely heard of
Bart freaking Starr. Oh my. Only Vince Lombardi still echoes as a name from the days
of the 1960's frozen Green Bay tundra. Oh, and then the other thing that is funny
is that Bart Starr the quarterback never did anything too dumb or too daring for all those
championship teams he played on. That was left for the also-rans, Johnny Unitas and
all those other Mad Bombers from the 60's like Sonny Jurgenson and Norm Snead. Back
to the present, I'm there more or less yelling at this kid for being too daring with his
long pass and here I'm using totally conflicted and obsolete metaphors across the board.
I guess what is really funny is that in spite of all this the "kid" knew exactly
what I was trying to say right then. Who is the dummy here, Coach?
RAMS AND DOGS
Last night we tasted practice Nirvana. We had a practice while enjoying more than
warm enough weather here in February. It took place outside and under the lights,
the location was on campus, and the surface was the Nexturf stuff I love so well.
It (practice) was too short of course. We had to get off to make way for the eight
women Frisbee players that are preparing for….wait, what are they preparing for exactly?
I'm sure the eight of them filled up the whole gridiron nicely. NOT!
At any rate we now have access sometimes to this great, fairly new facility on campus that
is the practice field that had been donated to the football program a couple of years ago
by an older lady who had/has a whole lot of money, and apparently some kind of crush on
football coach Sonny Lubick. This is part of what will ultimately become the total
"house that Sonny built" here at CSU. However short the time we are allotted,
and whenever it be given to us, I feel blessed and grateful to be able to borrow this very
flat piece of synthetic green real estate with lines on it from time to time.
Anyway, I was out there enjoying the evening very much. What I was and am NOT enjoying
right now is watching our team "ground ball". We are not frenzied Labrador
Retrievers using my chosen and preferred "like a dog" methodology.
Our ground ball getting has recently more resembled little lab rats running around looking
for the easiest way to the cheese. I'm not happy. I ridiculed them openly in
a circle last night. In the most mocking way that I could I acted out the basic and
proper way to go about picking up an actual ball off of the ground with their sticks.
The philosophy of it all will have to wait until some semblance of technique on a team-sized
level shows up.
I'LL TAKE NORMAN ROCKWELL
At one point I made reference to the fact that I didn't want us to go all "Jackson
Pollack". Did I say that? Yes I did. A couple of them got it, God
knows how. I explained that Jackson was an artist who had a painting style that closely
resembled, and excuse my French, taking a paint "crap". His creations had
no symmetry, and his paintings depicted nothing but colored oil paint thrown on canvas.
Symmetry is all that I seek as coach. Execution of simple tasks is what I demand.
Jackson spit in the face of all that and got famous doing it. I'll bet the guy couldn't
have drawn a horse with a pencil if his life depended on it. The irony is that he
likely made a lot of money making a mess with paint and promoting Jackson Pollack.
I don't miss the sixties, and there is no way I could live through women's lib again.
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